One of the most insane full motion video games from the 90's edited into one NINETY MINUTE MOVIE! Written and designed by horror writer Lorelei Shannon, Phantasmagoria 2: A PUZZLE OF FLESH is a narratively unrelated follow-up to the best-selling title by graphical adventure pioneer Roberta WIlliams (King's Quest). Notorious for its "obscene content" that saw the game heavily censored or outright banned in several countries, Puzzle of Flesh had the player help the introverted Curtis Craig navigate a psychological breakdown while working at a predictably sinister pharmaceutical company. Dark secrets, sexual exploration and inter-dimensional twists abound! Experience much of the game's craziest moments and outrageous gore condensed into a coherent*, freaky and funny narrative. *Well, as coherent as the actual plot of the game.

暂无剧情简介

暂无剧情简介

Everything you ever wanted to know about Phantasm is right here in this 97-minute feature with interviews from Don Coscarelli, producer Paul Pepperman, Angus Scrimm, Reggie Bannister, Michael Baldwin and Bill Thornbury.

暂无剧情简介

一个少女通过梦境和幻觉发现自己有着相当暴力且病态的过去。她决心纠正错误，但她的旅程将让她历经炼狱般的磨难。

Flesh of my Flesh chronicles mankind's final hours in the last great war for existence.

Mark feels guilty because he is attracted to his sister Deena, but they achieve total satisfaction when they finally have sex. Mark tries to escape from what they have done with other women, but Deena's jealousy leads to tragedy.

PHANTASMAGORIA OF THE INTERIOR is an audiovisual essay devoted to Walerian Borowczyk's film THE STRANGE CASE OF DR. JEKYLL AND MISS OSBOURNE. Utilising the materials of the complete, restored version of the film, and its French language soundtrack, the film offers a new way of looking at, understanding and appreciating Borowczyk's intensely cinematic art. Particular attention is paid to a painting by Vermeer of a pregnant woman, introduced early into Borowczyk's film, and reappearing at key moments. Beginning from this painting - its content, style, and historical background - particular aspects of the film are explored: its unusual pictorial compositions; the mingling of sexuality with violence; and the association of men and women with (respectively) open and closed spaces. The film argues that Borowczyk brings a surrealist sensibility to his free adaptation of the Jekyll and Hyde story, especially emphasizing the transgressive, revolutionary role of the free-spirited Lucy Osbourne.